UNIT 4 : EXTERNALLY SET ASSIGNMENT
When I received the exam paper, I went through each other and made notes. At the end I was debating between three of the questions; people and possessions, patterns and issues and observations. However, while talking it over, I decided that issues and observations would be to much work and the types of issues I wanted to document would be hard to do because I would have limited access to the sites. People and possessions and patterns were my last choices, I couldn't decided what to do so I decided to flip a coin. Heads, patterns, tails, people and possessions. It landed on heads.
PATTERNS
ANDREAS GURSKY
Andreas Gursky used large scale repetition to create patterns in his images such as super markets, buildings and with the use of people. Many of he's images are formed with squares and rectangles, in addition with the multiple colours. Gursky creates he's images using photo shop to rid of any obstruction such as trees and cars, he also uses photo shop to repeat the pattern to create his images.
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PAUL STRAND
Paul Strand used light as a formal element to create patterns in his images, with using shadows from the lined objects. Using objects with repetitive lines, he created more lines with the shadows.
By using light, Paul strand creates multiple patterns, mainly straight lines from fences etc. The major of his images are mainly are in black and white form, however there are a few exceptions. When his images are in black and white, there is more of a contrast shown , for example from the fence and the shadow. The shadow is a much darker contrast and a different texture as well. Paul Strands's image texture seen my soft and gentle, images which are soft and man made objects . |
HANS EIJKELBOOM
Hans Eijkelboom created typologies of people wearing the same/similar items of clothing of accessories. These typologies shown different patterns, not just in clothing, but in personality traits, likes in fashion and sociological traits. In one aspect, this photographer might be showing the link between people and patterns.
There has been evidence that that his photography is humorous as his images portray how people buy clothes to be 'unique', however his typologies show that they are actually conforming to the Capitalist system and they are not unique at all. |
BERND AND HILLA BECHER
With the use of the their book, I had a wide selection of images to look at and compare. These artist mainly took images of man made infrastructures such as water towers, wind towers, coal bunkers and blast furnaces. Bernd and Hilla Becher were both into architecture were influenced their style of work. Bernd and Hilla Becher's composition are all the same, they were very careful about how they took their images, making sure they have the same lighting and placing of taking the image. There images can also be seen as emotional, as all the images they took were all industrial building which has been knock down, while entering our post industrial age.
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Bernd and Hilla Becher's images
The patterns of their images is very repetitive. within each typology all the patterns of the images are very similar as each image typology is created by group different industrial building. The tone of the image is very neutral, there is no sudden changes in tone. The colour of the image is in black and white, however the while taking the images they made sure they took pictures of the buildings with the same weather. They made sure that each image didn't have different weather, they planned it so each time they took the image the background weather was the same. The texture of the images are very similar and repetitive. The composition of the images is always the same. The main subject of the image is always in the same in each photo and typology this is because they wanted to document the industrial buildings while keeping a variable the same. The way they created their typologies are always under strict conditions. |
TYPOLOGIES
DEFINE TYPOLOGY: PRESENTS AN ILLUSION OF TRUTH; VERY ARTIFICIAL. IS A CLASSIFICATION ACCORDING TO GENERAL TYPE, ESPECIALLY IN ARCHAEOLOGY, PSYCHOLOGY, OR THE SOCIAL SCIENCES. IT SEEMS OBJECTIVE BUT IS ACTUALLY SUBJECTIVE.
LOOKS OBJECTIVE BUT ACTUALLY SUBJECTIVE
To understand Bernd and Hilla Becher's work I wanted to experiment to try and develop my own outcome. Creating typologies of different things, experimenting with light and other formal element.
This is my first portray of Bernd and Hilla Becher's work. However, I want to refine and try more attempts with typologies.
These typologies are a mixture, as I wanted to experiment with what sort type interests me the most.
LOOKS OBJECTIVE BUT ACTUALLY SUBJECTIVE
To understand Bernd and Hilla Becher's work I wanted to experiment to try and develop my own outcome. Creating typologies of different things, experimenting with light and other formal element.
This is my first portray of Bernd and Hilla Becher's work. However, I want to refine and try more attempts with typologies.
These typologies are a mixture, as I wanted to experiment with what sort type interests me the most.
SET #1
This is a typology of satellites and the different types on different house. I like the simplicity of this typology and the the rough low contrast texture within the images. The black and white colour of the images makes the image focus more on the main subject then the surround colours and objects that would have been move obvious in it's original form. These images are shot in a negative space, with the lighting that under exposes the subject. This typology was created by accident and goes against the Bernd and Hilla Becher's photographs, as these photos were taken under strict conditions.
SET #2
This typology photographs of trees does not document very well, as the trees were taken in different locations and it would of been more effective if I took pictures of all the trees in school for example than random trees that not showing good documentation. These images are also not strict like Bernd and Hilla Becher's images, as the background lighting and the weather is different in every image and the composition of the ideas are different. I would want to refine the typology and take only pictures of trees in the school and take the image in a strict manner.
Set #3
EDITED
I attempted to try and incorporate parts of the human body within my unit 4 work, which would of been similar to my unit 3 work, however, I didn't like how the typology turned out. I tried to refine the images by turning them black and white, however it still highlighted the lack of control of the typologies. While they show more control, for example in the lighting, it still isn't as strict and the background of the images aren't the same which differs for Bernd and Hilla Becher's typologies.
SET #4
This is a typology I made with the types of shoes in my house. I like the idea of the typology but the way I executed wasn't as good as it good be. I need better lighting as it's quite dark and the positions of the shoes needs to be in the exact position each time. I need to take greater care with capturing the images and make sure the contrast doesn't vary from image to image.
SET #5
This is a typology of damages on the wall around my school, showing some of the examples of the damage students make. I like how the typology has roughly the same lighting in the picture each time, mainly with low contrast within each image. However, while I did try to maintain the composition for the main subject to be in the middle, it didn't work so well, this was because of each marking or scratch on the wall was so different, it was inevitably going to be different each time.
SET #6
EDITED
This is a typology of the different types of pavements on my road, and I wanted to show the numerous amounts of patterns a pavement has, which many people never really notice. The first time I did this experiment, I didn't like howeach photo showed many different colours, as it distracted the view away from just focusing on the patterns alone. This is why I refine the images so they was black and white, this also gave each image a high contrast without ruining the individual textures that each image holds.
SET #7
I took images of pavements on my way to school one day as I liked the different patterns in the cracks of the pavement. While it may not follow the strict rules of Bernd and Hilla Becher's typologies, I still think with some refinement and practice attempting to go along with the way they create typologies, I think it would become a good typology.
SET #8
This typology was taking picture of lines I found round school. This has no relevance to Bernd and Hilla Becher's photography, but i wanted to go my own way with the typologies I've been taking. This typology was just a practice, I like the idea, but the way I executed the idea came out a bit messy, but I think if took more time, and were more selective in the different types of lines I found then I think it would be much better. This is something I should do to refine this typology to make it better. An idea I could do is making a typology of only horizon line, for example and more more strict with what I photography. To an extent this is similar to Bernd and Hilla Becher's photography.
SET #9
This is my typology of benches I found around a very small village. I attempted to try and get the benches in the center of the picture as possible, like the Bernd and Hilla Becher's images, however some of the images aren't as straight and would need editing on photo shop. The lighting in the images are equal with every photo, which is like the Becher's typology where the lighting of the image must be the same in each, this makes it more of a accurate documentary and repetitive pattern.
SET #10
With this experiment with plug holes, I tried to keep strict rules with how I take the images. I attempted to make all the plug holes central in the images, like Bernd and Hilla Becher's typologies. I made sure I documented plug holes only around school, so it would be more like the typologies of Bernd and Hilla Becher's typologies and there strict way of taking images. I liked this outcome, due to the different colours and patterns within each plug hole, with the mixture of paint, and other materials in the typology. However, I need to do further refinement for a typology like Bernd and Hilla Becher's typologies.
I wanted to make sure every plug hole was central in the image, just like Bernd and Hilla Becher's typologies. Once I made them all central in the square, then I adjusted the levels of the image to make sure the images colours were balanced, than I sharpened the images by amount 100%, radius 0.5 pixels and and 1 threshold. I did this on every image to make sure each one was the same, a strict way of creating a typology.
These image show a range of colours and patterns within a plug hole and each plug hole is the same within each image, showing strict control in how I photograph and edit my images, creating a strict typology.
SET#11
I needed more images of plug holes to have a better depth and range in the typology, so I went in different rooms and took more images of plugholes. This is the second set.
EDITED
ALL THE PLUG HOLES
The images are the sharpest on the outside of the plughole, while the inside can be a little out of focus, however this is not the case for every plughole image I took. Some images are sharp throughout and especially sharp in the actual plug holes, showing a variety of focus, depending on the angle taken. Mainly around the plughole is the brightest, this is due to when being taken, the photographer blocked the light which would of hit the middle of the plug hole. The line and shape of the images are all the same, due to the high repetition of the images, which are all circular. However, there is some interference in the images such as tissues, cutlery and art equipment. The collection of images show high repetition, each image is a circular plug hole which create a pattern. The texture of the image vary due to the different objects caught or surrounding the plughole, which to some extent makes each image different and shows different patterns throughout.
TARYN SIMON
Taryn Simon’s went to the New York's JFK airport to document confiscated items by customs authorities from passengers arriving in the United States. At the Centre d’Art Contemporain, 546 of the total 1,075 photographs were on display. They were presented in regimented columns and arranged alphabetically by the object depicted. The items are pictured from some distance against a uniform pale background, and the captions are reduced to a category title and grounds for seizure
SET #1
I tried to attempt to make my own Taryn Simon's 'contraband' which litter on the floor. However, I didn't like the outcome as unlike Taryn Simon's my lighting was different in each one and my background was different, which is made sure she kept the same in each one of her images.
JOHN BALDESSARI
“Words and imagery are both magical conveyors of meaning. Sometimes I think a word can deal with an emotion better, and sometimes I believe an image can say it better. I’m ambivalent about prioritizing an image over a word. I build meaning in my art like a writer builds meaning from putting the right two words together. When you get it just right, it ignites meaning.”
John Baldessari's famous typology of throwing three balls in the air represents his interest in language and games, as it's structure followers both mandatory and arbitrary rules. By throwing three balls in the air to get a straight line, Baldessari aims to achieve a simple goal, by following rules to achieve his goal. He used 35 mm film and 36 documented attempts.
'The resultant images are documentation of Baldessari’s game, but they also border on abstract imagery and bear a resemblance to his later works involving painting or placing brightly colored circles over faces in appropriated photographic imagery to obscure the subjects’ identity.'
'The resultant images are documentation of Baldessari’s game, but they also border on abstract imagery and bear a resemblance to his later works involving painting or placing brightly colored circles over faces in appropriated photographic imagery to obscure the subjects’ identity.'
SET #1
My goal was to follow around a certain pigeon and take pictures of it, however sometimes I got the pigeons mixed up or it would fly away when I got to close. While I tried to make a game like John Baldessari's famous typology, I don't think believe he actually represents his work. However, it must be addresses that Baldessari's work wasn't for the attractiveness of the images , but for the meaning and his idea behind them.
AUGUST SANDERS
Faces of our time
August Sander’s 1929 photo book Face of Our Time , and the broader project it initiated, was only one in a series of photographic albums depicting German people published during the last years of the Wiemar Republic.
SET #1
I wanted to create my own 'FACES OF OUR TIME' within my school, I tried to get a background, position or pose that symbolizes the people and their personality.
SATELLITES
I wanted to expand my images of satellites that I started at the start of Unit 4. I wanted to do this because I loved the images I created before, because they were so simple, and used in our everyday life without thinking about it.
Each image was in focus of the main subject and the surrounding objects or background were in focus but not as sharp. The lighting in the images are quite dull and dark, this is because the images were taken in the evening time with the natural image. However, there was a problem, when uploading the images the photos were completely black, this meant that I had to increase the levels of the images to be able to actually see them. There is significant lines in the images, each one is different because I wanted to capture the variety of satellites on houses and surround objects like birds ,chimneys and wires got into the background. The shapes of the images are very geometric due to the shape of the chimneys, satellites and the top of the houses are very straight edged. There is significant amount of repetition, this is due to the images are a typology, each subject is the same however, the background and obstructing objects are different creating different patterns.
Each image was in focus of the main subject and the surrounding objects or background were in focus but not as sharp. The lighting in the images are quite dull and dark, this is because the images were taken in the evening time with the natural image. However, there was a problem, when uploading the images the photos were completely black, this meant that I had to increase the levels of the images to be able to actually see them. There is significant lines in the images, each one is different because I wanted to capture the variety of satellites on houses and surround objects like birds ,chimneys and wires got into the background. The shapes of the images are very geometric due to the shape of the chimneys, satellites and the top of the houses are very straight edged. There is significant amount of repetition, this is due to the images are a typology, each subject is the same however, the background and obstructing objects are different creating different patterns.
CAR WHEELS
Inspired by Henry Bond, I decided to take images of car wheels. At first i tried to take the images with a digital cannon camera, however, the cars were parked so close to each other that i had to use my phone. This resulted in the images not being high quality, but it gave me more of an advantage to get the whole wheel in the frame and for the wheel to be in the center.
EDITED IMAGES
I wanted to refine my images further by making them black and white, I always cropped many of the images so only the metal plate of the wheel was in the image, an little bit of the wheel was in the background. This meant that many of the wheels I took I couldn't use because they was in a difficult angle of there wasn't enough of the metal plate to crop down so only 1 cm each side, and some of the image were to close to the plate wheel to make good images in the further.
I decided I wanted to refine the images even further by making the wheel plate colourful and the tire it's original colour. By adding an extra layer to photo shop and then merging them together, I could make the wheel plate a different colour. However, I had to limit myself to light colours as dark colours didn't work as well as they could of.
I wanted to refine even further as I wasn't happy leaving the wheels with colour. I felt it could be developed into something better. I decided to take all the grey out of the images, inspired by Keld Helmer-Peterson, who also did this, which meant that it was creating a more graphic wheel and emphasizing the patterns on the elaborate wheels.
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WINDOWS
I created a typology of windows because on my street there are variety of different style of windows, which show the difference of the same thing. The windows shows each households personality and trait in their windows, making them very personal this is shown by changing the style of the frame or the patterns in the windows. Along every street, there was not one window the exact same, they were all different. This was surprising due to the houses were all built in the 1950/60's, which is a short amount of time for everyone to change the style of their windows.
DISPLAY
With my display, I had decided I wanted to trial how I wanted to display my work. I either wanted to mount it 10x6 or 6x10 or make a concertina. I try out each method and decided that I actually wanted to pin my work up on the wall. I numbered all my pictures at the back on the order of how I wanted my images.
This is the order I decided to pin up my images on the wall. I numbered the images on the back.
EVALUATION
A01
During my Unit 4 work I looked at a variety of artist, not only the artists in the exam place. I started off looking at Andreas Gursky, Paul Strand, Hans Eijkelboom and Bernd and Hilla Becher. At first I planned to make outcomes influenced by these artists, however, while looking at Bernd and Hilla Becher’s typologies I decided that I wanted to continue with typologies throughout the exam. Bernd and Hilla Becher’s typologies taught me about how strict and controlled you can be taking your images. This led me to other artists such as Taryn Simon, John Baldessari and August Sanders. These artists weren’t as strict in making their typologies as Bernd and Hilla Becher was, however, I liked John Baldessari’s work as it was laid back and fun. I liked the fact unlike Bernd and Hilla Becher, it was about the idea and not the outcome. At first I wanted to make other outcomes influenced them then and then experiment with my own ideas.
I decided with the theme ‘Patterns’, this was mainly due to I was the only one in the class who chose this idea. My first thoughts of the theme were there was going to be a lot of repetition involved. I would have to take a lot of images of the same subject such as typologies. At first I thought it would be time consuming and dull after a while. However, as I started to get more interested in what I was photographing, the more enjoyable it became. Over time my ideas developed as I decided that I only wanted to make typologies. This led me to explore other artists of my own who created typologies, which led my work to become more personal.
A02
During my exam, I started off only using a digital camera. However, when I started taking picture of windows I wanted to use a film camera, this was because I wanted the image to come out with a vintage effect while having a clear quality picture. I also thought the use of the film camera was a more personal way of taking the images, it was more meaningful when you got the images developed, than just downloading it off the computer.
Throughout my exam, I have created a set of images and refined, however I only refined if I like the set of images, but most of the time I usually just refine them to black and white images. However, the plugholes and the car wheels images are examples where I would refine and keep refining to create different sets of images. I did this because I felt the images had more potential, while some of the images I didn’t know how to refine further and felt like they wouldn’t mean anything to me. The development of my Unit 4 exam was at first a trail, to see what I wanted to do to achieve my goal in patterns. Halfway through the exam I decoded I wanted to stick with typologies, this led me to further research with different artists, and looking at more geometric images as well, mainly infrastructure as my main subject such as windows and satellites.
During the exam, what went well was the development of my images after I decided to only look at typologies. I started to explore different artists and began gaining more ideas on how to go about taking images for different typologies. What I found challenging was the start of the exam, I didn’t really know how to start and how to go about taking images, as I was only looking at the artists advised the exam board, I felt that I didn’t know how to develop at all. However, I started to develop in my investigation by going out and just taking pictures of any idea I had, and also looking at other artists changed how I approached the investigation. It provided me with more ideas and a decision to stick with typologies. It also helped me create more lad back typologies than the strict conditions by Bernd and Hilla Becher. This change helped my quality of responses improve, this was mainly due to I had more understanding of typologies it broaden my knowledge and ideas towards my approach. It also made me more interested in what I was capturing and it became more enjoyable.
A04
My final outcome was a typology of windows, which I took over a couple of days. My outcome mainly focused on geometric shapes, which documented the style, and shape of the windows. However, at the start I was only focusing on the shape, but when I got my images developed, the images were identical but at the same time were completely different. I mainly took my images during the early evening so there wasn’t too much available light this is because I wanted the images to look more subdued. I framed the images so they took up the majority of the spaces, this was to try and show the detail of the windows. My act of taking the images was repetitive. Two of the images didn’t work out due light got into the camera; however, it still was included in my typology.
I was hoping to create a typology of images that were repetitive, at first I wanted to create a typology of images that were geometric and were mainly of infrastructure. However, due to taking images of windows and the patterns and shapes I instantly wanted to make windows my final piece. I took all the images of windows with my film camera and got it developed and created more sets of the images to create a large documentation of the images.
I believed I successfully explored an aspect of the theme, however, with patterns there is so much to cover that I don’t think any amount of time anyone can successfully explore the whole topic of patterns as there is a infinite way to go about it.
I had a few ideas on how to display my images, one was to mount it up either 10x6 or 6x10, or make a concertina. However, after testing out each way I could of displayed my images I decided to pin up my images on the wall this was because I felt it would up useless to mount and wanted them to put them straight on the wall.
My work is personal because I chose to take images of the windows around my local area, which were influence by my research artists such as Bernd and Hilla Becher’s typologies. I chose windows through my observation while taking images for other typologies. I notice how different each window was due to some windows were aesthetically pleasing while some where quite dull, rotten and old fashioned. But in my typologies I included them anyway to show a variety. Taking the images around my area showed my background and surrounding, the windows in my typology I see every day to my way to school, to the shop and to work. To some extent the windows make up a small part of my life because it’s what I see on a daily basis and that’s what makes my windows typologies meaningful.
When viewers see my typology of windows pinned up on a wall, I want them to look at every single one with detail, comparing each one to the next comparing the patterns of the windows and the details and shapes of frames. I want people to be entranced by the variety of windows, how something so simple and the same can be hugely different.
If I had more time I would definitely take more images of the images to create a larger typology or windows to show a more of a variety of windows. I would want to refine my car wheels and satellites more to see to what extent I can make my images more personal to me. I would’ve liked to cover a larger aspect of patterns and not just of lingered of typologies for my experimentation. I would like to experiment with artiest work such a Paul Strand and Andreas Gursky and looking at their style of patterns.
During my Unit 4 work I looked at a variety of artist, not only the artists in the exam place. I started off looking at Andreas Gursky, Paul Strand, Hans Eijkelboom and Bernd and Hilla Becher. At first I planned to make outcomes influenced by these artists, however, while looking at Bernd and Hilla Becher’s typologies I decided that I wanted to continue with typologies throughout the exam. Bernd and Hilla Becher’s typologies taught me about how strict and controlled you can be taking your images. This led me to other artists such as Taryn Simon, John Baldessari and August Sanders. These artists weren’t as strict in making their typologies as Bernd and Hilla Becher was, however, I liked John Baldessari’s work as it was laid back and fun. I liked the fact unlike Bernd and Hilla Becher, it was about the idea and not the outcome. At first I wanted to make other outcomes influenced them then and then experiment with my own ideas.
I decided with the theme ‘Patterns’, this was mainly due to I was the only one in the class who chose this idea. My first thoughts of the theme were there was going to be a lot of repetition involved. I would have to take a lot of images of the same subject such as typologies. At first I thought it would be time consuming and dull after a while. However, as I started to get more interested in what I was photographing, the more enjoyable it became. Over time my ideas developed as I decided that I only wanted to make typologies. This led me to explore other artists of my own who created typologies, which led my work to become more personal.
A02
During my exam, I started off only using a digital camera. However, when I started taking picture of windows I wanted to use a film camera, this was because I wanted the image to come out with a vintage effect while having a clear quality picture. I also thought the use of the film camera was a more personal way of taking the images, it was more meaningful when you got the images developed, than just downloading it off the computer.
Throughout my exam, I have created a set of images and refined, however I only refined if I like the set of images, but most of the time I usually just refine them to black and white images. However, the plugholes and the car wheels images are examples where I would refine and keep refining to create different sets of images. I did this because I felt the images had more potential, while some of the images I didn’t know how to refine further and felt like they wouldn’t mean anything to me. The development of my Unit 4 exam was at first a trail, to see what I wanted to do to achieve my goal in patterns. Halfway through the exam I decoded I wanted to stick with typologies, this led me to further research with different artists, and looking at more geometric images as well, mainly infrastructure as my main subject such as windows and satellites.
During the exam, what went well was the development of my images after I decided to only look at typologies. I started to explore different artists and began gaining more ideas on how to go about taking images for different typologies. What I found challenging was the start of the exam, I didn’t really know how to start and how to go about taking images, as I was only looking at the artists advised the exam board, I felt that I didn’t know how to develop at all. However, I started to develop in my investigation by going out and just taking pictures of any idea I had, and also looking at other artists changed how I approached the investigation. It provided me with more ideas and a decision to stick with typologies. It also helped me create more lad back typologies than the strict conditions by Bernd and Hilla Becher. This change helped my quality of responses improve, this was mainly due to I had more understanding of typologies it broaden my knowledge and ideas towards my approach. It also made me more interested in what I was capturing and it became more enjoyable.
A04
My final outcome was a typology of windows, which I took over a couple of days. My outcome mainly focused on geometric shapes, which documented the style, and shape of the windows. However, at the start I was only focusing on the shape, but when I got my images developed, the images were identical but at the same time were completely different. I mainly took my images during the early evening so there wasn’t too much available light this is because I wanted the images to look more subdued. I framed the images so they took up the majority of the spaces, this was to try and show the detail of the windows. My act of taking the images was repetitive. Two of the images didn’t work out due light got into the camera; however, it still was included in my typology.
I was hoping to create a typology of images that were repetitive, at first I wanted to create a typology of images that were geometric and were mainly of infrastructure. However, due to taking images of windows and the patterns and shapes I instantly wanted to make windows my final piece. I took all the images of windows with my film camera and got it developed and created more sets of the images to create a large documentation of the images.
I believed I successfully explored an aspect of the theme, however, with patterns there is so much to cover that I don’t think any amount of time anyone can successfully explore the whole topic of patterns as there is a infinite way to go about it.
I had a few ideas on how to display my images, one was to mount it up either 10x6 or 6x10, or make a concertina. However, after testing out each way I could of displayed my images I decided to pin up my images on the wall this was because I felt it would up useless to mount and wanted them to put them straight on the wall.
My work is personal because I chose to take images of the windows around my local area, which were influence by my research artists such as Bernd and Hilla Becher’s typologies. I chose windows through my observation while taking images for other typologies. I notice how different each window was due to some windows were aesthetically pleasing while some where quite dull, rotten and old fashioned. But in my typologies I included them anyway to show a variety. Taking the images around my area showed my background and surrounding, the windows in my typology I see every day to my way to school, to the shop and to work. To some extent the windows make up a small part of my life because it’s what I see on a daily basis and that’s what makes my windows typologies meaningful.
When viewers see my typology of windows pinned up on a wall, I want them to look at every single one with detail, comparing each one to the next comparing the patterns of the windows and the details and shapes of frames. I want people to be entranced by the variety of windows, how something so simple and the same can be hugely different.
If I had more time I would definitely take more images of the images to create a larger typology or windows to show a more of a variety of windows. I would want to refine my car wheels and satellites more to see to what extent I can make my images more personal to me. I would’ve liked to cover a larger aspect of patterns and not just of lingered of typologies for my experimentation. I would like to experiment with artiest work such a Paul Strand and Andreas Gursky and looking at their style of patterns.